Author Archives: nina

BELOW GROUND video available

I was very grateful to have funding from Arts Council England in the first part of 2023 for BELOW GROUND, working with wonderful collaborators in the arts as well as specialists in subterranean disciplines. We ran a series of ‘sonic … Continue reading

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BELOW GROUND funding success

I’m delighted to announce that I have been awarded a National Lottery Project Grant by Arts Council England for my project BELOW GROUND. BELOW GROUNDย is a collaborative interdisciplinary project bringing people together to explore ideas of the subterranean. Artists across … Continue reading

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The Cybird Trilogy

‘Nina Whiteman produced a bloody blinding piece of music and art that laid bare the tragedy of automation and inner city living and its effects on nature, that was hilarious, whimsical, and often insane and disturbing. The only sentient being … Continue reading

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Forbidden (Riot Ensemble commission)

I was delighted to be commissioned by Riot Ensemble during 2020-21 to create a solo work for their Zeitgeist series, funded by the Ernst von Siemens Music Foundation. During 2020-21, touching our faces has become a forbidden act that endangers … Continue reading

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Noises with Nina

During the Covid-19 lockdown, I’ve started a series of homemade experimental music videos. The series is a quirky antidote to a rather grave situation that has particularly affected the arts and live music-making. It was initially inspired in part by … Continue reading

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Collaboration with Lauren Redhead and Alistair Zaldua

I’ve been working for some time now on a piece for organ and electronics. This develops my interest in creating maze-like notational environments for performers to navigate. In this work, provisionally titled Escape! the score is in the form of … Continue reading

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‘Thread’ now available on HCR records

In 2017 Kathryn Williams asked me to write her a flute piece to be played in one breath for her project ‘Coming Up for Air’. My response was Thread, where the player’s breathing is controlled by an in-ear sound score, … Continue reading

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overcast I’ve had a fabulous time working with the Vonnegut Collective on overcast. This was a commission from Kinetic (funded by Arts Council England) to create music to be experienced in a small space. You can read about my ideas … Continue reading

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TOMB premiere

TOMB is a new piece for amplified alto flute, video and electronics commissioned by Gavin Osborn (with funds from the RVW Trust). The first performance is on Thursday 13 December at 1.10pm at the Martin Harris Centre for Music and … Continue reading

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TIME-TRACE-PLACE

You can read and see what I was up to in St Ives in June here Responding to our environment, we created a constantly evolving installation (sound, visual art) at the Porthmuir Studios in St Ives. There were daily performances, … Continue reading

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